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Tuesday, March 20, 2012
Introducing the NEW MOTO DW-05 Digital Wireless Headphone
Sunday, January 8, 2012
Friday, January 6, 2012
Saturday, December 24, 2011
Friday, December 16, 2011
Glidecam-Your First Steps to Professional Moves Workshop on 5th Jan 2012 at Raffles Town Club
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Glidecam-Your First Steps to Professional Moves Workshop on 5th Jan 2012 at Raffles Town Club
![]() Trainer’s Profile"Sean Seah is the founder of Firewerkz Films, focusing in the weddings and events industry. He is a certified steadicam operator with 5 years of experience in stabilizers. Sean uses a vast variety of stabilizers from handheld to full body rigs with extensive experience in DSLR shooting and has been involved in many handheld stabilizer operations." | Glidecam – your first steps to professional moves Already shooting with HDSLR? But wants something more to produce breathtaking video to impress your prospect? Attendees will learn techniques for stabilizing cameras and the newest tools being used in social and corporate environments where stealth and mobility is the name of the game.Reservations are now being taken for upcoming Glidecam Basic Workshop. Registration fee is S$214 (including GST) per person for a one day Workshop (Limited seats). Lunch will be provided. The workshop is held on the 5th January 2012 (Thursday). Time : 9am to 5pm For registration and payment please click on the link below: http://www.expandore.com/Newsletter/glidecam_blast.htm Who should attend: Handheld HD/PRO series users with light-weight cameras like DSLRs and Handycams. Level: Beginners Things to note : v Workshop does not include Glidecam and video equipment. v You are encouraged to bring your own Glidecam and Video equipment. v As an added incentive: The Glidecam Basic Workshops will be held at facility in: Raffles Town Club (Dunearn 2, Level 1)1 Plymouth Avenue Singapore 297753 Mainline : (65) 63232 323 Fax : (65) 63376 116 Website : http://www.rafflestownclub.com.sg/ For more information you may us @ 68412889 or e-mail: contactus@expandore.com
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Wednesday, November 30, 2011
Azden Digital Portable Wireless Intercom
Azden DW-01 Digital Portable Wireless Beltpack Intercom• DW-01 Digital portable wireless beltpack intercom is a portable intercom communication with license-free 2.4 Ghz digital band built in. • Suitable for various place usage. It features two-way communications system (full duplex) up to 4 simultaneous users. • Applicable for usage in broadcast, theater, nursing home, swimming pool security, supermarket, arcade, restaurant, hotel, construction sites • Only weighs 80g + , just perfect for mobile crew members. There is no need to get a license for using this system.Click here for Enquiry Features : • Two-way communication : 4 users can communicate simultaneously. • Security : Uses unique personal protocol through digital encryption, and only those which have done the pairing process can communicate. • Easy operation : Start using intercom communication without any complicate settings. • High mobility : Communicate within 30 ~ 70m of line-of-sight distance radius wirelessly.Specifications : • Frequency Range : 2400 - 2483MHz • Operation Frequency : 2402.0 - 2480.0MHz • Modulation Type : GFSK • RF Output Power : 10mW • Exclusive Frequency : 4MHz • Earphone Mic Connector : Mini-XLR 4pin • Power : 2 AA(+3.0v DC) / Ni-MH battery • Power Range : +2.4V - +3.0V • Consumption Current : 100mA • Storage Temperature : -10°C - +60°C • Operation Temperature : 0°C - +50°C • Size : 64.3(w) x 90(H) x 21(D) • Weight : 80g without battery • Accessory : AntennaClick here for Enquiry If you are unable to click the “Click here for Enquiry”. Please email us at sales1@expandore.com | |
Azden DW-02 Digital Wireless Intercom BaseStation• Multi-purpose Digital Wireless Intercom System's Features: • Can communicate simultaneously between a floor with wired cascade. • Quick Auto Beltpacks matching on the spot. • Digital Wireless Intercom Base Station DW-02 1uint • Digital Wireless Beltpack Intercom DW-01 up to 6 sets can communicate simultaneously • Digital Wireless Listening Receiver (VOX type) - No limit slove • Azden DW-01 Beltpack Intercom SlaveClick here for Enquiry Features : • Base Station System with Crystal-clear sound and Two-way Communication • 1 : N(max.6) full duplex communication. • With high quality sound, it is stress-free even for long time usage. • Adopted line-livel input / output jack for external speaker with amplication.Technical Specs:• Frequency Range : 2400 - 2483MHz • Operation Frequency : 2402.0 - 2480.0MHz • Modulation Type : GFSK • RF Output Power : 10mW • Exclusive Frequency : 4MHz • Line Input Jack: Ø3.5 Mini-plug • Power: DC 9V • Storage Temperature : -10°C - +60°C • Operation Temperature : 0°C - +50°C • Size : 124(w) x 33(H) x 103(D) • Weight : 235g without battery • Accessory : Antenna, AC adaptor Click here for Enquiry If you are unable to click the “Click here for Enquiry”. Please email us at sales1@expandore.com | |
Friday, November 11, 2011
Thursday, November 10, 2011
Monday, October 24, 2011
Thursday, October 13, 2011
Azden WHD-PRO Audio Kit for HD-SLRs and Mini DV Cameras
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Quality You Can Hear - Azden WHD-PRO Audio Kit for HD-SLRs and Mini DV Cameras
![]() WHD-PRO Audio Kit for HD-SLRs and Mini DV Cameras ![]() ![]() | Azden WHD-PRO Audio Kit • Designed for HD-SLRs and Mini DV Cameras. Includes a high quality Wireless Microphone and high performance directional Stereo Microphone Order Now Wireless Microphone Features : • Complete system which includes the WL/T-PRO a belt-pack transmitter (WM-PRO) with electret condenser lavalier microphone (EX-503) and the WR-PRO receiver which comes with both shoe-mount and hook and loop fastener. • Receivers and transmitters in the "PRO" Series are on the same 2 frequencies (169.445MHz and 170.245MHz). • Transmits Audio Up to 100 Feet Away • Body-pack Transmitter with Clip-on Lapel Microphone • Portable Camera-mount Receiver with Pivoting Antenna • 2 Selectable Frequencies for Clear Reception Directional Stereo Microphone Features : • Record in stereo directly with Azden's SMX-10. • The 177 mm long, dual uni-directional, electret-condensor mic is powered by a single "AAA" battery (not included) and features a built-in cable with a 3.5 mm stereo mini-plug. • Comes with a windscreen and camera hot-shoe mount. • Reduces Side and Background Sounds • Removable Foam Windscreen • Shock-mount Microphone Holder with Shoe • Switchable LF Filter for Clear Sound Order Now If you are unable to click the “Order Now”. Please refer the following link.http://www.expandore.biz/product_detail.asp?productid=4663 |
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![]() SMX-20 DSLR Stereo Microphone | Azden SMX-20 DSLR Stereo Microphone • Designed to work with today’s high performance DSLR cameras • SMX-20 offers directional high quality stereo sound. • At less than 5” long the SMX-20 is small in size only. • Its wide frequency response, low noise and directional sound is a major step-up from the camera’s built in microphone. • SMX-20 comes complete with windscreen and shock mount holder with shoe. • The attached output cable terminates with a 3.5 mm stereo mini-plug and connects directly into the camera’s microphone jack. Order Now Technical Specs: • Type: Stereo Electret Condenser • Frequency Response: 100-20,000Hz • Sensitivity: -40dB @1kHz (1V/Pa) • Output Impedance: 1.5 k ohm @ 1kHz • Signal-to-Noise Ratio: 60dB (1kHz @ 1Pa) • Dynamic Range: 66dB • Battery Type: LR44 • Max. SPL: 100dB • Battery Life: 150 hours with alkaline battery • Weight: 72g with battery • Dimensions: 121mm long – 21mm diameter • Output cable: attached with 3.5mm stereo plug Order Now If you are unable to click the “Order Now”. Please refer the following link.http://www.expandore.biz/product_detail.asp?productid=4646 |
Wednesday, October 5, 2011
Litepanels – Introducing NEW Products Litepanels Sola 4, Croma and Hilio
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Tuesday, September 20, 2011
Revolutionary Uncompressed Video Recorder Convergent Design Gemini 4:4:4
Revolutionary Uncompressed Video Recorder Monitor, Twin Record, Playback, 3X Transfer HD/2K, 4:2:2 / 4:4:4, 10bit, S-Log, Dual-Link, 3G, 16-Chan Perfect for AF100, F3, F35, Alexa, All Filmmakers Flexible post workflows; Full uncompressed, or encode to your favorite codec Gemini 4:4:4 recorder with high bright LCD and transfer statio | |
Can you give us a brief description of your new HD recorder: Gemini 4:4:4? Gemini 4:4:4 is a revolutionary full uncompressed HD recorder which stores video/audio data onto two removable 1.8” SSDs (Solid State Drive) for playback/transfer to a PC/MAC. Gemini supports most HD/2K formats in 4:2:2/4:4:4, 8/10-bit formats with single-link HD-SDI/3G or dual-link. A built-in 5.0” sunlight viewable (800 cd/m²), 24-bit, 800x480 color LCD touch-screen serves as a high-quality monitor and playback screen. Gemini also features an industry first: the unique ability to record to both drives simultaneously, creating identical masters. The 1-lb Gemini with milled aluminum case measures 5.4 x 4.5 x 1.1” or about the same size as the popular SmallHD DP6 monitor. But, of course, Gemini also includes recording, playback, image processing, etc, etc. So Gemini lets you choose any CODEC you want? Precisely! The uncompressed HD-SDI output from your camera is exactly the same data that is fed to the internal in-camera hardware CODEC. While your camera (and most recorders) only supports one CODEC, Gemini frees you to use any CODEC/format. We found that oftentimes the workflow and editing system is not well defined at the beginning of a production, or the client may want the footage in a different CODEC/format. Gemini gives you the flexibility to deliver accordingly, at the best possible quality levels. So after two weeks of shooting, when the director brings word that you’re changing from PC to MAC (or vice versa), you’re ready to encode that pristine uncompressed footage into a new CODEC / format, while maintaining the highest possible quality. Consider also, that all professional video is ultimately transferred off the capture-media (typically Flash) onto HDDs, optical media or LTO Tape. Using high-performance multi-core processors, you can transfer and encode with little additional time penalty (compared to a simple transfer). For example, using an 8-core Mac Pro we’re getting transfer (SSD → HDD) + encode (to ProRes HQ) at 1/2 real-time. So, 30 minutes of uncompressed 1080p24 video requires a total of 15 minutes to transfer off the SSD and encode to ProRes. By comparison, a simple transfer of the same footage (without encode) occurs in 1/3 real-time, or 10 minutes. Gemini obviously supports 4:4:4, but what about S-Log? S-Log, as you may know, maps 12-bit (or higher) linear data into a 10-bit log space (for transmission over HD-SDI, which is limited to 10-bits). Gemini maintains the highest possible quality, by recording 10-bit S-Log video in an uncompressed format, so there’s absolutely no added noise or artifacts. Gemini also supports user-programmable 1D viewing LUTs, which can be selectively enabled for one or more of the SDI/HDMI outputs. Additionally, in dual record mode, you can simultaneously record the native S-Log video to one SSD (online) and the same video with burned-in LUTs to the second SSD (offline / H.264 generation). Will Gemini have a 3D or stereo option? Yes. From the beginning Gemini was conceived as a dual stream recorder. Gemini will independently record two video streams to individual SSDs, for all formats except 1080p50/60. You can synchronously play-out the two individual streams or combine into side-by side, 50/50 composite or anaglyph formats. Gemini uniquely allows you to simultaneously view 3D video in multiple formats, such as side by side and 50/50 composite, which should be very helpful in 3D camera alignment. | |
Monday, July 25, 2011
Litepanels Sola Series - LED Fresnel Lighting for today's cutting edge broadcast work
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